English Settlement by XTC

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English Settlement by XTC
English Settlement by XTC

Album Released: 1982

English Settlement ::: Artwork

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1.Runaways4:51
2.Ball And Chain4:28
3.Senses Working Overtime4:45
4.Jason And The Argonauts6:03
5.No Thugs In Our House5:16
6.Yacht Dance3:52
7.All Of A Sudden (It's Too Late)5:18
8.Melt The Guns6:31
9.Leisure5:01
10.It's Nearly Africa3:54
11.Knuckle Down4:26
12.Fly On The Wall3:11
13.Down In The Cockpit5:35
14.English Roundabout3:50
15.Snowman4:26

Reviews

English Settlement only has fifteen songs, which isn't a lot for a double album, unless you’re Yes (which hopefully you aren’t).

And if you’d been following the band faithfully since 1977, this is the point where you’ve got to face the fact that XTC have slowed down, stretched out, wised up, and gone all 12-string jangly, vaguely African, and - yes, even a touch mediaeval - on your ass.

So, is this the end of the rabid new town animals that hatched just a few years prior? Well, yes and no. A metamorphosis has occurred, but all the old familiar traits are still there - just warped. Or at least, warped differently than they had been before.

Take the first disc’s epic centerpiece “Jason and the Argonauts” - the guitars jangle where they used to spike, the subtle synthesized soundscape may not have much in common with the keyboard carnival of the band's 'zolo' era, but the riptide rhythms are as tense as anything in their catalogue.

Everyone probably knows “Senses Working Overtime”, an unlikely Top 10 hit, featuring some positively strange bass mumbo-jumbo from Moulding, and rather ambiguous lyrics from Partridge - is it a wholehearted celebration of life, or a dark satire of greed and materialism? Possibly it's both.

But the lesser-known material is just as good. Moulding’s “Runaways” opens things with a thick bed of guitar plinkety-planking and dark atmospherics; “Down in the Cockpit” turns a pun with several more double meanings than should be legal, into a dance/pop success story.

“No Thugs in Our House” - perhaps the only song here that would have fitted on the previous album - finds Partridge roaring out the tale of a white supremacist and his clueless insipid parents; “Fly on the Wall” hides the album’s most infectious melody inside its irregular synth exoskeleton.

As on any double album, not everything goes right. It would've probably benefited if several of the songs were shortened slightly, but then, even The Beatles' white album had its “Why Don’t We Do It in the Road?”.

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by Reviewer: S M Hellebore


English Settlement is another badly-produced XTC album, this time featuring meandering arrangements as a way to use up space on what was a double-LP. So there's crap like "Melt the Guns" running for over 5 or 6 minutes, boring me to death.

Luckily, the album also contains several high-quality pop tunes - Moulding's "Ball and Chain" and Partridge's "All of a Sudden" and "Senses Working Overtime" - the latter being one of the oddest things to hit the Top 10 in the UK. The stretched-out arrangements do actually benefit a couple of songs, namely the atmospheric opener "Runaways", and the near-epic "Jason and the Argonauts".

Nylon-string guitars reign supreme in the waltzy "Yacht Dance", Moulding goes into Ska-ville on the 5/4 time "English Roundabout", and Partridge contributes a bouncy pro-women tune called "Down in the Cockpit", though he horribly maligned it with his later dub experiments (the result of which is on Rag & Bone Buffet).

English Settlement is certainly worth checking out, but its many faults (including "Leisure", one of the worst-ever XTC tracks) prevent it from deserving a particularly high rating.

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by Reviewer: Cole Reviews